Links or Methven’s Pottery

Links, Lidded Bowl, Spongeware
Links, Lidded Bowl, Spongeware

Overview

The Links or The Kirkcaldy Pottery for most of its existence is associated with the Methven family. David Methven(1) had lived in the Cupar area prior to coming to Kirkcaldy. 

In Cupar he apparently learned brick and tile making at the works there. He took over the lease of the Links Brick and Tile Works in 1769. His wife whom he married in 1770 was the daughter of a brewer.  They had 4 sons John born 1772, David(2) born 1775, Alexander born 1779 and George born 1783. With the help of his father-in-law and also with profits from the brick and tile works, a more modern pottery was constructed at the Links site.

It is probable that a pottery was already in existence at the time of David’s(1) first purchase. David(1) died in 1827 and his son John was left the land upon which the Links Pottery is built. The brick and tile works was passed to George. Around about the same time the Fife or Gallatoun Pottery was sold due to bankruptcy and bought by the above John Methven.
Both Kirkcaldy potteries were therefore in the same ownership.

John Methven died in 1837 and he left both potteries to Robert and Mary Heron. Mary was John’s daughter. George Methven (John’s brother) bought the Links Pottery from the Herons. George died in 1847 and left both the brick and tile works and the pottery to his nephew David Methven(3). 

In 1864 after David Methven(3) died, the ownership of both potteries passed to his son James.  For clarification (hopefully) David Methven(2) brother of John, and father of David(3), did train as a potter but died young in 1815. Andrew Young, who had worked his way up from office boy in the Links Pottery to clerk by 1861 (aged 24) he was a traveller by 1863, and becomes the manager of the pottery, in partnership with James, in 1870, and the name of the pottery is changed to ‘The Kirkcaldy Pottery’. 

In 1892, Andrew Young and his sons bought both works. In 1914 Andrew Young died, leaving the potteries to his sons who continued with the business until 1928 when both works close. 

Main Products

According to Kelly, ‘But nothing in their output prepares one for the Links Pottery export spongeware’ along with Bell’s and the Societe Ceramique de Maastricht, all produced rice dishes and soup plates for the Asian market’. 

In addition, Methven’s produced other colourful hand painted and sponged wares such as Airlie ware, Nisbet ware, Auld Heather ware, Abbotsford ware and Lomond ware.

Some of this production closely resembles Wemyss Ware and indeed some was decorated by the same people who decorated Wemyss Ware. The pottery also produced a large range of transfer printed wares and, from the middle of the 19th century onwards, they introduced white-ware made from Cornish and Devon clays. 

One of the most popular patterns was ‘Verona’. ‘Canova’ was another successful pattern but the list of transfer printed wares is impressive.

Commemorative pieces were also produced throughout this period.

Articles in SPHR

Articles in Bulletin (Members only)

Typical Backstamps & Marks

David Methven & Sons, D.M. & Sons, D.M & SS, D.M & S, D. Methven, Abbotsford

Pattern Names

  • Abbotsford
  • Akabarn
  • Antique
  • Aquatic
  • Asiatic Pheasant
  • Aster
  • Bamboo
  • Beatrice
  • Berries
  • Berry
  • Bird and Lily
  • Birds
  • Blossom
  • Bosphorus
  • Bramble
  • Brig O’Doon
  • British Rivers
  • Bulloch
  • Burgundy
  • Burns
  • Buttercup
  • Butterfly
  • Butterflies
  • Cadiz
  • Caller Herrin
  • Caller Ou
  • Canova
  • Canove
  • Canovian
  • Ceylon
  • Chili
  • China
  • Ching
  • Clarence
  • Classical Vases
  • Cleveland
  • Clyde
  • Colombo Crystal Palace
  • Convolvulus
  • Coronation (Edward V11 & Alexandra)

 

  • The Crockery
  • Crystal Palace
  • Cumae
  • Daffodil
  • Daisy
  • Damascus
  • Danish
  • Denmark
  • Derby
  • Devon
  • Edina
  • Edinburgh Exhibition
  • Edinburgh Views
  • Farm
  • The Farmer
  • Fern
  • Fibre
  • Fife
  • Flaxman
  • Florence
  • Fly
  • Forth
  • Fountain
  • Fragara
  • Garland
  • Gathering Berries
  • Gazebo
  • German Stag Hunt
  • Gondola
  • Grecian
  • Hawthorn
  • Holly
  • Imperial
  • International Exhibition Edinburgh 1886
  • Inverness District Asylum
  • Iona
  • J Stewart
  • Japan
  • Jay
  • Jubilee
  • Kaiser
  • Kent
  • Labyrinth
  • Lily
  • Lomond
  • Lorne
  • Maltese
  • May
  • Milan
  • Milkmaid
  • The Mill
  • Mocha
  • Montrose
  • Nankin
  • Nightingale
  • No.1000
  • Oban
  • Omagh Lunatic Asylum
  • Oriental
  • Osborne
  • Palestine
  • Pansy
  • Parrot
  • Passion Flower
  • Pastoral
  • Peace
  • Pelegorium
  • Pheasant
  • Phosphorus
  • Pickwick
  • Playmates
  • Pomegranate
  • Pompadour
  • Queen Mary
  • Raith
  • Ribbon
  • Robin
  • Rolland
  • Roman
  • Roman Temple
  • Rose
  • Rose and Vine
  • Roses
  • Seasons
  • Sebastapol
  • Serapis
  • Sicily
  • Singapore
  • Songster
  • Souter Johnny
  • Spiral
  • Sporting
  • Springfield Hospital
  • Squirrel
  • Stag
  • Sultan
  • Swallow
  • Tam O’Shanter
  • Teck
  • T F & Co
  • Tom Tit
  • Trellis
  • Tudor
  • Tulip
  • The Turk
  • Turkey
  • United We Stand
  • Unity
  • Vase
  • Verona
  • Victoria
  • Views
  • Villa
  • Vintage
  • Water Hemlock
  • West Ham Union
  • Wild Rose
  • Willow
  • Windsor
  • Wolseley
  • Woodbine
  • York

Other Publications & Links

Public Collections

Other

It is reckoned that in 1841 about 20 people were employed at the pottery, by the 1851 census this had increased to 124, made up of 76 men, 29 boys and 19 women. In 1861 the number was almost the same at 128 but the split was somewhat different namely 61 men, 31 women and 36 boys. By 1871, 221 people were listed as working in the pottery and by 1881, 332 were employed, quite a considerable enterprise at its peak.